Guido’s is an enchanting place in Cozumel. A charming island just off of Cancun.
It’s like stepping right into a fairytale. With a Latin flavour.
Outside in the garden is this window, except it wasn’t really a window. It was more like a window frame set into the adobe wall.
It was right in between two other similar, but not identical, real windows.
So you can’t help but wonder: did it used to be a window that they just filled in with adobe? Or has it always been a feature window, to fill the negative space between the other two windows?
I like to start my designs with lots of negative space.
I just start with the core elements: one or two of the strongest brand colours. I take the strongest brand colour as an active element for buttons and calls-to-action.
I play around with the formatting. If I’m stuck, I would check Pinterest for inspiration.
Then I take a step back and look at it as a whole.
Is there too much negative space that it just looks unfinished?
When this happens, I then pull out this method we’ll call
The Space Cadet Balancing Potion
Where I’ll do one of three options:
1. Resize or move the elements around. I move the header, the button, the images to make sure that there’s better distribution of negative space. Maybe I’ll make the image larger, or the button larger. Or move the button so that there’s lots of negative space around it that it just stands out, not to be missed, tempting your visitors to press it.
2. Add a few more elements. This can be another image, or a shape, an outline, or a gradient. Something that will flow nicely with the brand’s personality. If it’s romantic and feminine, maybe a splash of watercolour. If the personality is bold, add some thick bold lines or use a background fill.
3. Go extreme. This is where I go bonkers and draw an imaginary tic-tac-toe-style grid on the whole thing. Then I move everything into two-thirds or even a third of the space.
Try it out and let me know how you go over at our FREE closed Facebook Group, Design for Entrepreneurs!